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Hall had high praise for the films writers, Qui Nguyen and Adele Lim, saying, “I have to give Qui and Adele credit because it’s gotta be on the page and they really found a way to weave all that in there but make it specific to Awkwafina.” Visual development art of Sisu by artist Ami Thompson We wanted the character to be fun and funny - obviously we have Awkwafina doing the voice - to make sure we could have enough meat for Awkwafina to dig into and so it was an interesting mix.” Doubling down on the cultural inspirations like the Naga really helped give us something unique that we felt like audiences hadn’t seen.”Īs for Sisu’s personality, Hall explained, “In terms of finding the right balance, because of their almost divine status, we wanted Sisu to have that wisdom of the ages but also give her a naivety and maybe even a little glimmer of self-doubt. What we found is that that was going to give us a very unique take, knowing that there’s a lot of dragons in movies. When it came to figuring out their dragon, Don Hall ( Big Hero 6, Moana), who directed Raya with Carlos López Estrada, said, “It took a little finessing to get the right mix, because in Southeast Asia, what we’re inspired by is the mythology of Nagas, which are a very specific type of dragon and they’re revered as almost deities. THE LAST NAGA Raya and Sisu in 'Raya and the Last Dragon' We learned how much even the design of the building or temple or house is driven by people’s sense of life, their cosmology, and how they view the world.After viewing about 30 minutes of footage from the film – which contains some truly gorgeous imagery and visuals unlike those typically found in Disney animated films - Fandom spoke to some of the key creators of Raya and the Last Dragon about their depiction of Sisu and how they sought to make her very different from dragons you might have seen in stories like Game of Thrones, Harry Potter, or The Hobbit. “We took authenticity seriously and worked collaboratively with a lot of people from the Pacific Islands to create something that they could relate to just as much as anyone else, and featured so much of what was important to them. It has contemporary editing, angles, and music.”
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The film is a fantasy yet is not a period piece. There was another thing that we wanted to do. “ Moana had a lot of water and there were numerous unusual fantasy characters in Frozen 2 and Big Hero 6. “One of the exciting things that happened is all of the technology that we have been developing for so many things recently came together,” states Shurer. Past projects served as critical building blocks.
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On the other hand, we all feel a bit closer after everything we’ve been through together.” You have to be intentional about conversations. You can’t run into people in the line for getting coffee and chat. “It’s all about Zoom and relationship building. “It has been unprecedented,” admits Producer Osnat Shurer. The most impressive accomplishment for the project is that just as shot production was about to commence, the coronavirus pandemic caused 400 artists to work from home meaning that all of the animation was completed remotely.